#almost a meta if you ask me

[mofffun]

Bo...Boshimaru's felt patch isn't even his childhood face it's a hand-made felt patch with his grown-up face on his grown up underpants

did. did he had those custom. did he made them themselves. did kamejim just kept on wearing those embroidered undies in his disguise

[moongothic]

(Frankenstein'd two asks together for the sake of previty)

I've been pretty torn between answering this ask and just doing a deep dive re-analysis post about Marineford as a whole (from Crocodile's perspective) because I feel like rereading it now as a Crocodad Truther, I could probably make a whole lot of new observations and/or read into things differently than I did last time I read it (when I was rereading for the purpose of studying the viability of Crocodad) Like there's so much to say about the whole arc and I'd include this line of thought in there anyways... But also, do I really feel like writing a giant essay like that........

I am going to start this by refering to this mini-essay I wrote like a month ago, about how Crocodile seems to have this attitude of "no crying over spilt milk". What's happened has happened, what's done is done, it's your own fault things turned out the way they did, there's no undoing any of it and you just have to continue on. And I do think that attitude would be key here to understanding Crocodile's actions in Marineford re:Crocodad

(Sidenote because this is not relevant to the rest of the post, but the reason this is about Crocodad and not CrocoUncle etc is because if Crocodile was only loosely related to Luffy it would not have the same kind of impact emotionally (for Crocodile; like there is a difference between a nephew and a son). Additionally a part of Crocodad is that it ties into Crocodile's connection with Ivankov in a really important way. If Crocodile was only loosely related to Luffy, him also being trans would kind of be like a random sidenote without being relevant to the two being family, but suddenly if Crocodile is Luffy's other biological parent, him being trans matters a lot more. Also if he's not Luffy's other dad then we'd be still stuck asking who the fuck birthed Luffy to begin with)

While Sengoku's announcement here would make for a horrific revelation to Crocodile in this situation (a revelation we never see his immidiate reaction to, which continues to be deeply sus), what would it change, really?

The little idiot child who Crocodile had attempted to murder multiple times was his own son. Sure, he might've insantly lost whatever grudge he might've held against Luffy, then what? That feeling would be one-sided, because at this point in the story Luffy hated Crocodile's guts and he knew that too. Luffy has no idea about them being related, and even if Crocodile literally walked up the kid right that second and told him the truth, what would it change? He'd still be the man who nearly nuked a million people off the face of the earth, took over a country and killed Luffy and his friends while laughing about it. Being Luffy's other dad wouldn't make him any less of a horrible asshole (if anything it might make it slightly worse 'cause you get to add shit like "child abandonment" onto his list of crimes).

Luffy came to Marineford to save Ace. Crocodile came to Marineford to kill Whitebeard. He had no reason to interfere with Luffy's quest, and with the help Luffy already was recieving from the prison escapees, the Newkama and the Whitebeard Pirates, what would Crocodile's assistance add to the mix? Would Luffy even welcome him in helping save his brother?

Luffy had his own life, a life Crocodile had not been a part of. He had no right to try to insert himself into it at this point, after all he had done to Luffy. There's no crying over spilled milk. What's done is done, you just have to move on. He should just focus on what he came to do; get his revenge and take Whitebeard's head, as planned.

Deep breaths

...Only to realize that Whitebeard is a dying old man and not worth even killing anymore, because he's not the same Primebeard whom once beat Crocodile and crushed all his dreams. Defeating Whitebeard would not give him the catharsis he came for.

And at that point, the fuck was Crocodile going to do? The revenge he wants isn't there anymore 'cause it went bad a few decades ago. And between the raging war and Doflamingo on his ass it's not like he could just sneak out without anybody noticing. He doesn't have allies (aside from Daz under him) to worry about. He only has his hatred to the World Government.

At that point, he might as well be a nuisance to the Government and assist Luffy. Even if the help wasn't welcomed, even if Luffy hated him and regardless if he knew the truth or not, helping Luffy right then and there would still be better than letting the Government have their way and kill his son right in front of him

[necrotic-nephilim]

Give me your most controversial dc opinions!!!

HA YES GLADLY I WOULD LOVE TO (added a read more because i had a lot of words oopsie)

The Titans Tower Incident was in character for Jason Todd. at worst, it's a *bit* over-dramatic and a little cringey, but if you consider his actions, his motivations, and what he *actually* does, i honestly don't think it's OOC for him. he's just kind of a dramatic asshole in that era and i stand by that comic. the issue isn't the comic itself, it's how people interpret it.

i think the DC fandom, specifically the Batfamily fandom, really likes to claim to be progressive for brownie points, but then will have the one token woman that everyone decides is acceptable to hate. like, it's one thing if you dislike Carrie Kelley, i get it. Frank Miller isn't a great writer of women and she can be a lack of a character in the original Dark Knight Returns. but if you go out of your way making constant edits and posts shitting on her, it's *weird*. especially when most of the people shitting on her haven't even consumed her source, and their reasons for disliking her can apply to any other Robin, especially Tim. but as long as you put say, Steph or Cass on a pedestal, you can talk on and on about how you want to kill Carrie for the crime of existing. it feels like acceptable misogyny. i also think this extends to writers. if you put say, Gail Simone on a pedestal, you're free to blame everything under the sun on Devin Grayson. (to be clear i think you can and should hate Devin Grayson for a lot of things, but most rumors about her are untrue and if you look at every badly written comic and go "sounds like something Devin Grayson would write" that's really weird bc everything she's done, men like Chuck Dixon, Tom King, Tom Taylor, Marv Wolfman, etc have done in tenfold.) like, misogyny = bad unless it's That One Woman We've All Agreed To Hate. it's weird and i keep noticing it. and no one seems to unpack it. (i mostly see this on TikTok, not Tumblr tbf)

i don't care if you ship BruDick or not, but it's not weird for canon content to imply or state Dick had a crush on Bruce when he was first taken in. even in canon where Dick sees Bruce as a "father figure" in the most generous sense, that bond took years to build and when Dick was freshly orphaned, he *had* the memory of loving parents and didn't want Bruce to fill that role. you don't have to ship BruDick, you don't even have to like batcest, but if you're vitriolic toward just the idea that "hey maybe a young kid on the cusp of puberty might have some weird feelings to work out about the canonically very attractive mysterious playboy who took him in before seeing him as family because that bond took years to build" is nasty and terrible and wrong to you, you don't like the Batfamily, you just like the nuclear "neat" version of it in your head

the Batfamily characters are *all* too hypercompetent. like all of them are just *too* good at what they do that in order to write them in interesting arcs together, you have to willingly make some of them OOC in order to not immediately have the Problem wrapped up. i get it, Bruce is the greatest detective, Tim is wicked smart, Jason's a heavy hitting brawler, but we've reached a point where all of these characters have so many buffs they're not *fun* anymore. especially not in a group setting where you need to justify them needing each other's help. and even worse-so when they interact outside of the Gotham, you end up making every non-Batfam character seem useless just to make the Batfamily look cool. it's exhausting. i want to see these characters lose fights, look stupid, and not be the best for once. they're all getting so good they're just kind of. boring. which is the worst sin for a character, IMO.

i think we should go like. a good year of all Justice League-related teams not having a single Bat on the roster. just as a cleanse so *someone else* can shine. i get why non-Batfam DC fans are sick of the Batfamily bc jesus. it's oversaturation of the market.

power scaling "who would win" fights are fucking boring and i don't care. that's the least interesting thing about the fandom. you're missing the point of all of these characters if you only care about who could win a brawl. also it's just a stupid debate because the answer will *always* be: whoever the author of the comic wants to win.

the Batfamily is too damn big. i love every single one of them do not get me wrong. i'd die for the little niche characters who are likely never going to be relevant again like Julia Pennyworth or Kate Spencer. but it's too fucking big at this point. it's insisted to us that these characters are family but like. half of them have barely existed on the same page together more than once. it's ridiculous and it cannot sustain itself. none of these characters are allowed proper shine because they'll just get dropped for the next new shiny character. i think Maps Mizoguchi is a cool lil lady, but i know in my soul in like. three years she will fade into comics limbo and we'll have a new shiny character to fawn over. it's a brutal cycle bc DC doesn't know how to give any of these characters follow through, just wants to wave around cool new concepts.

both Under The Red Hood and Death In The Family are mediocre adaptations and strip the most important emotional elements of Jason's story from the plot. you can't properly adapt Jason's death if you leave his mother out of it. like they're phenomenal movies as their own pieces of media, but they lack the necessary emotional weight for Jason.

on the note of adaptations: the Young Justice cartoon is i think the best case study of "how do you react to a piece of media that's amazing on it's own, but is a fucking horrible adaptation?" because like, i can't discredit it. it's a good show. but it's a bad adaptation and i think people using it as an entry point for DC can make their views of certain characters and teams *very* warped. the Harley Quinn: Birds of Prey movie falls into a similar vein for me. if that movie was it's own thing with original characters, it'd likely be a top five movie for me. but because it's *such a fucking bad adaptation* i can't help but hate it for brutalizing the characters and the general concept of the BoP. it should've been a Gotham Sirens movie, and Young Justice should've been a Teen Titans show. and sure, adaptations don't owe us accuracy, but they have negative effects on the comics when they gain popularity. so i struggle to like Young Justice bc of how badly it's affected certain characters.

also on the note of adaptations: the best adaptation of how comic media operates is the Sandman tv show. adapting comics to tv shows or movies is difficult bc comic arcs don't operate the way show/movie arcs do, but the Sandman show proves it's absolutely doable to adapt the storytelling style while still making the typical adjustments you need for an adaptation.

DC needs more Deaf representation. in most areas, DC either matches Marvel or outperforms Marvel with representation of marginalized identities, but it's fucking tragic we have no deal Deaf rep in DC whereas Marvel has quite a few to pick from. this one is personal bc i'm Deaf but it does fuck me up the only option we have is a side character from Tim Drake: Robin who doesn't appear anywhere else and isn't a great character overall. DC i'm in your walls.

on the note of representation, if i see one more person say Titans had "perfect casting" while in the same breath admitting Dick was whitewashed, you are weird and i dislike you. it's really fucking weird that whitewashing is permissable to this fandom if the actor cast/fancast is hot. Dick should've been a Roma actor. Damian should not be fancast as a white actor. it's the bare minimum.

i have so many more but i will end with this especially controversial one: Dan Mora's art is overhyped. that man has the worst same face syndrome i've ever seen and i will not lie half the time i can't tell which Robin he's drawing. his art is technically gorgeous and it's so pretty to look at, but begging for every comic series to be drawn by him is boring and terrible. the art style of a comic reflects it's genre. wanting all comic art to look like Dan Mora's art is sucking the style out of comics. i miss art styles like Todd Nauck's that clearly reflected the genre of the comic.

i lied i have one more i'm REALLY passionate about: Tim's vigilante name after Red Robin should not be bird-themed. naming him Sparrow or Cardinal is *just* as bad as naming him Red Robin longterm. they're *just* as derivative and they *sound* cool but don't hold any real unique identity for Tim outside of Robin. like it baffles me we all agree he needs to move on from Robin and then decided "let's name him Robin Lite". if he has a bird name, it should be Jackdaw so at the very least, he's not red anymore. and Jackdaw could be a fun callback to Drake, in that it uses part of Tim's real name (his middle name, Jackson) while standing out a bit. but if i really had creative control i'd give him a completely unique name. if it has to be Batfamily related, Gray Ghost. but in my head, his name should be Conspiracy. i could write a lengthy meta on why and tbh it is based in my love for the Question and wanting Tim to have a similar detective noir-esque gritty solo, but i genuinely don't think he should be Cardinal or Sparrow. those names only continue his identity issues of being trapped as either Robin or a Robin knockoff.

[cowboyskeletons]

i like wizards

[bougiebutchbitch]

people talking about izzy and ed's weird as fuck codependent toxic unhealthy relationship: yeah!! yeah!!!!!!

people talking about izzy and ed's weird as fuck codependent toxic unhealthy relationship who obviously dislike Izzy as a character, and are acting like he 'deserved' everything he got and was somehow 'the real bad guy' of that whole situation because of the fucked up shit he pulled in S1: ..........?

[suffarustuffaru]

Just wanted to say thank you for the ottosuba posting you've done lately. The English speaking fandom is absolutely barren with Otto content, let alone ottosuba content. So to have someone as awesome about it as you post via Tumblr posts, fanfic, fanart, etc. on a good(-ish) website like Tumblr is like finding a diamond in the rough. Anyhow, looking forward to any future ottosuba content from you!

(｡･ω･｡)ﾉ♡

anon you made my day fr these are very high compliments T^T <3 i appreciate it a lot pfft a part of me is always like "I CANT REVEAL HOW MUCH MY BRAIN IS ROTTING OVER THESE CHARACTERS..." bc i get a little embarassed a little shy bc what if i am posting the same things too much...??? but then i simultaneously go "lol my blog my rules anyway im gonna make a gazillion billion content *clicks post*" which is how all the otto and ottosuba content gets churned out alsdflj. especially bc - like you said - the english speaking fandom is a BARREN DESERT when it comes to otto and ottosuba content T^TT ive been thinking about it lately bc they seem to be a lot more popular in the japanese speaking fandom i think, but theres next to Nothing with the english speaking fandom :o interesting difference there.

but regardless :o yeah i keep making otto and ottosuba content bc i am in Desperate need of it... its a desert and i gotta feed myself too HAH theyve always been interesting to me but in the years ive been into rezero that Interest has skyrocketed bc of all the interesting developments pfft (and also the lack of english fancontent for them HAH). i just think theyre so underrated in the english fandom.... thank you for liking my stuff anon <3 :DD

[sushisocks]

Hey there! I believe you said in another post that the final confrontation would be unlikely to happen if lenny and sean were alive, so i'd like to ask if you could expand on that pls(if u havent already and i just didnt see it lol)

Btw on a side note im actually super invested in your sean content😭😭the fandom seems to only talk ab him to label as an idiot, so as a fellow sean lover the way you characterize him has me so in love❤️❤️❤️❤️

Oh Anon you are SO LOVELY!!! Thank you not only in giving me the opportunity to rant more about Sean and Lenny (which I am always so willing to do), but also for your super kind words!! Sean is very dear to me, and I'm glad my reading into him as much as I do strikes a chord with other people ;;u;;

The way the general fandom often characterizes him isn't very surprising to me, given his personality & the surface level impressions he gives, but maybe for now I'll save THAT rant for another time, else we stay here forever lmaoo

So, to start answering your question, I believe you're talking about my post from a few months ago, where I talk about how I believe Sean & Lenny would've sided with Arthur & John if they'd lived to see the final confrontation. In it I mention how I find that final confrontation a lot more unlikely were Lenny & Sean to survive that far and stick around for the entire thing.

Now, WHY do I believe this? I touch on it briefly in that original post, but let's really get into it here!!

Okay to start off, there's a LOT of ways I see things going, in regards to Sean and Lenny, were they both to survive, because it adds SO MANY variables, but let's start at the very top.

At a meta level, it is important to recognize that RDR2 is a prequel to RDR1. This meant from the get that RDR2, as it is canonically, was bound to a certain outcome, to set up for RDR1. This ALSO means, that every step from the start of RDR2 was very much there not only to lay the groundwork for the end of RDR2 but also add another emotional layer to RDR1. This is all certainly things we are aware of already, but I think it's important to have that context in mind while we talk about alternative outcomes.

Because, see, Sean and Lenny HAD to die for the outcome in RDR2 to be the one it is. Not only them, but Hosea, Kieran, Molly, and Susan's deaths are ALL integral and important to the story, they ALL make a difference and contribute in pushing the story a certain way, and in reinforcing the steadily increasing hopelessness which infest the gang from Sean's death and out.

So if we're like "what if none of them died?" there are suddenly a LOT of new variables for every mission and every scenario we know from the game, which need to be considered. This is true EVEN if the change in survival count is only reduced to Lenny & Sean.

How different do you not think Shady Belle would have felt, initially, without Sean's death hanging over it? What about the bank job -- would Lenny & Sean end up on the boat to Guarma? What would've happened to them there, then? Would either of them be caught by the Pinkertons instead, with John or in his stead maybe? What other options would there have been, where would they end up at the end of that?

And already here we have to consider how those experiences might've impacted them psychologically, because of who they are.

In the post I mentioned earlier, I talk about how Lenny is new to the gang and probably isn't as stuck in it mentally as Arthur and John, nor do Sean and Lenny have the same emotional attachment/baggage in regards to Dutch. They're loyal of course, because they feel a sense of obligation to the gang, because it provides them with safety, friends, and allies, in an otherwise unkind world.

But what then happens when that changes?

How do you expect Sean and Lenny to respond when the gang starts turning on itself? When Dutch visibly starts losing it? When people start snapping at each other and threatening one another in the middle of camp?

(I have a half-formed thought here about how people would ABSOLUTELY be snapping and talking down to Sean in a way more cruel way towards the end of the game, for trying to keep things light and easy, yknow, fulfilling his role in the gang. I can only imagine what that'd end up doing to him, tbh.)

And, I'll be repeating myself from other posts here, but how do you think Lenny, a young black man painfully aware of the social structure as it exists in America at that point in time, would react to realizing what Dutch's plan with the Wapiti is? Same goes for Sean, who has SEVERAL instances through the game showing him just as politically aware as Lenny - certainly moreso than Arthur.

Would the outcome for the Wapiti tribe be the same, do you think, if Charles had more people than a very sick and tired Arthur to lean on, willing to help? Would Lenny in particular want to stick around to see Dutch attempt to drive the tribe into the ground for his own gain?

Also, I'm sorry but like, Lenny has a camp interaction with Dutch where he disagrees with him (about Miller, Dutch's favorite author) and explains why in a very well-articulated manner. In one instance, Dutch gets straight up offended by it, bcz Lenny can argue very well (and is RIGHT mind you lol).

I do absolutely believe that Lenny would not just sit around quietly in Beaver Hollow. I'd expect him to be among the most vocal in their discontent with the situation, and probably the best at arguing against Dutch.

That is, up until a certain point. Lenny is a young black boy, and Dutch is a white authority figure. Watch Dutch snap and yell at him, like he does John in Ch6 for example, and see how much longer Lenny sticks around fr. The trade is loyalty for safety and the same in kind. Why do you think members start leaving when things start looking their worst? And don't you think Lenny would be among the first to see the writing on the wall?

Though that is hinging on that very specific vibe in Beaver Hollow, where they're all scattered and losing their ties to one another. Add then in Sean, who is VITAL as social glue, and for making conversations easier. If he, and Lenny, and Mary-Beth, Tilly, Arthur, Charles, etc etc, insert your favorites here, managed to retain some of that community feeling, despite it all, then I absolutely see Lenny sticking around for them.

Same goes for Sean, tbh. I can see him leaving earlier, bcz the trade stops being equal and bcz he's not being taken seriously, and I can see him staying, for his friends.

There IS also a version of things where things are similar and I do see Sean siding with Dutch; but that is a very sad and lonely Sean, who is VERY different from where he's at in Clemens Point, and I think that's an unfair perspective to take for him in general.

Okay so, now we're back to that final confrontation, after I said I found it unlikely, why is that? Because, with every question I've posed thus far, about what Lenny & Sean's reactions might've been to canon events after their deaths, I have essentially presented a variable that comes with their survival to those points. Them being there for it, HAS to mean a change, has to mean something different happens, because their deaths are direct contributors to the path we already know the story takes WITHOUT their presences.

Now, what are those differences and changes? I honestly can't answer; something being different earlier or later can butterfly-effect into something completely new or remarkably similar to what we already know. I could sit here all day and wax poetic about all the different options and possibilities for where things could go, were ANY character to survive past their death point, BUT thankfully, that is what fanfiction is for, lol.

I hope this satisfied some of your curiosity, dear anon!! It was a lot of fun for me to write and think about, so thank you very much for asking!!!

[soppingwetguywife]

you know what boggles my mind about these takes on guillermo and his great big betrayal this season? it's the fact that some people have managed to so thoroughly divorce this arc from what happened last season as if the two don't correlate. as if the fact that nandor betrayed guillermo first and in one of the worst ways he could think of has nothing to do with where they are now

okay so there are Four of these and they're all SO correct so im gonna put all of them and my thoughts under the cut (yeah i know nobody comes to my blog for Hot WWDITS Takes (or.... for anything) but this whole situation has me pressed okay) thank you so much anon i NEED to talk about this

"and i don't mean that in the way that some have meant it in a guillermo is doing this for revenge type of way but just that freddie was his last straw but instead of leaving like he would have before he decided to stay on his own terms. he decided that for once fuck what nandor wants, he'll do what he wants instead. guillermo literally started of season 4 saying he was looking out for number one and then he didn't for MONTHS but sure he's a monster for following up on his promise to himself" "and freddie isn't just some isolated incident that doesn't have any context. take this from guillermo's pov, he spent weeks (maybe months? unclear on timeline here) preparing a wedding, being asked to do impossible shit but somehow coming through and his reward was that one moment of nandor admitting he cares for him by calling him his best man (we know he meant best friend so did memo i'm sure) and then nandor had to take that away." "'cause just so we're clear best friends don't fuck your boyfriend. there might have been some extra steps there but ultimately that is what nandor did and he didn't think to stop for a second why he was doing it, if it would hurt guillermo, just nothing. so guillermo i think was back to square one, nothing has changed nandor can be kind for one second and do something so blindingly selfish and cruel the next and this fandom really expected him to lie down and take it"

THIS IS EXACTLY WHAT I MEAN!!! YOU GET IT ANON!

so, i must start with this. every season, almost always, continues in a sort of vacuum. not so much that there's no continuity, because there usually is! so let's just follow guillermo, because there's a point i want to make here.

S1- guillermo learns he is a slayer. S2- guillermo reveals he has spent the past summer killing vampires to keep the house safe, which leads into the finale; guillermo goes and rescues the vampires from the theatre in a Beautiful display of murder. S3- guillermo is trapped in a cage, because of that Beautiful display of murder, which leads into the finale; guillermo agrees to go away with nandor on a world trip and eventual turning (this goes wrong, which leads to) S4- guillermo finally returns from being stuck in england, a year AFTER the end of s3, which leads into the finale; guillermo goes to derek to be turned.

NOW. let's assess where the VAMPIRES start and finish throughout the seasons.

and the answer to that is; exactly where they fucking started. because s4 was right. nothing changes. colin robinson dies and is reborn and grows and in the end, he's exactly where he started. nadja grows and learns and tries to forge an identity for herself, and then she fails, and she's exactly where she started. laszlo... okay, laszlo's just along for the ride. and he LIKES where he started. nandor started as a neurotic, cool-hearted washed-up-warlord who tries to be strong, passionate, the leader that everyone looks up to. he doesn't seem to notice nobody looks up to him except guillermo, because duh, why would he notice guillermo? and every season, we're right back to where we started. we see them grow closer, and then we see them ripped apart! and every new season, we're back to joking at his expense. the only notable difference this season is that nandor sort of HAS grown more tolerant of him, a building through-line that we have only seen through guillermo, the only character that changes enough for a bond to be formed rather than assumed (ie; the foot locker, the self-help book, the being insanely jealous that laszlo is spending his time with him) (as opposed to his friendship with the vampires, one that has always been sort of assumed except for with colin robinson, something that s5e6 pretty thoroughly shattered)

this season, we are seeing the inevitability of five seasons and nearly fourteen years of guillermo assuring himself that he would get what he wanted, that he hadn't given up his family and his job and his emotions and the parts of his brain that are... well, human, for nothing. he has been promised and promised and promised that this is the time, this is when the time is right, just TRUST in the inevitability of change in a house full of people that never change and never want to. he has been growing and changing every season, growing stronger, more confident, more capable, unlike the vampires.

but because guillermo is the butt of the joke, because he HAS to be, right? because he has to always be the one that suffers (learning his bloodline kills the very thing he loves, being LOCKED UP for PROTECTING the very thing he loves, being locked in a COFFIN just when he was going to get it, and FINALLY being turned only to be turned wrong and in the most horrible, ugly way???? (well, for him, for me it was a visual treat, love me a man covered in blood)) it turns out that there's this cute little rule! one that we've never seen before (though there is some hinting toward this, i suppose, in the case of celeste, right? she never poached, only took unattached familiars. did she know? we'll never find out, i don't think!) and now the thing he loves (person he loves the most) will be his end, because of course it is, right? and of course he definitely deserves it, right? because he's the butt of the joke, the silly little human who dared to make his OWN life better rather than waiting for a day that was so clearly never gonna come unless he held them at stakepoint or he did.... exactly what he did.

nandor is the deciding factor. and from what we've seen of him for the past five seasons, he's gonna bluster and threaten and probably challenge him to a fight to the death or something stupid like that, but it's not like he has any real bite anymore anyway? but he's NEVER gonna let this go, i don't think, which is INSANE considering how much guillermo has been letting slide for YEARS in terms of his behavior.

if nandor wanted to do it himself, he should have considered 'why the hell would guillermo EVER be late to the one thing he's been telling me for years that he always wanted?'

instead we see in s4e1 that he BLAMES guillermo for leaving him, and refuses to hear anything to the contrary. and again in s5e5, he blames guillermo for not being there for them, and refuses to hear anything to the contrary. to him, the human will always be at fault, and he will always be their better, and it is going to take guillermo not BEING a human anymore to shake that out of him.

from there, it's all up to him, really! (we have to also account for the classic wwdits 'yeah they're all just idiots, they'll be totally fine with it and they'll be back to being besties by s6e2' because i have little faith in any sort of emotional continuity after every season's constant stunting of everyone's Almost-Emotional-Growth)

i genuinely do not know if this made any sense. but i wanted to talk about how the way we've watched guillermo grow and take responsibility for himself makes it so clear that he SHOULDN'T just sit down and take it, even though he seems very much like he's more than willing to. i'm not gonna touch the whole virginity and slut-shaming metaphors, because i do NOT feel qualified to discuss them, and better people have done it (though i do think a lot of them are biased toward nandor rather than guillermo) but i just think that in the lines of continuity, this was EXPECTED, and it being treated like a season-long punchline isn't particularly fair to guillermo! which is the point of the show, and the counter-point of this rant!

guillermo deserves better, he got it, and now they just have to let him HAVE it.

[aromanticannibal]

The pattern is that people straight up do not read™. or they read a 3-5 tweet summary of what happened and treat it as if they did. or because shonen expectations based on "the classics" is bullshit and significantly rotted people's brains when deciding wether an ending is good or not.

Which could be nothing right

yeahhh. i will forever regret reading the last chapter through leaks because it was a dreadful experience, and watching everyone ever shit on it for like a week after genuinely made me want to just get off the internet forever or something because i felt like an idiot for liking the ending (all this is my fault for getting too invested in both tumblr and mha etc etc).

All the "it's rushed" and pacing complaints barely matter to me at this point because you just cannot feel the pacing of something correctly when you're reading it exclusively through leaks. you can't absorb info like that. And don't get me started on the number of complaints and criticisms I've seen of the last chapter that are just provably bullshit (I saw someone say Izuku didn't get a statue lmao. yes he did, you just read the fucking leaks and watched twitter drama unfold instead of reading the actual chapter i fear).

[that-angry-noldo]

I just saw this post discussing differences between Finarfin (and other Arafinweans) and Gil-Galad, and since you know much more about Finarfin than I do, I would enjoy hearing your take on his characterization in this post, if you are willing to and comfortable doing so. But if you would at all prefer not to, I completely understand and apologize for bothering you.

(I wasn't sure if this was better as an ask or a DM, so if you would rather reply using a DM, feel free to do so!)

i've been poking that post with a long stick for the whole day and then recieved your ask and if this isn't a sign from above I don't know what is. worth noting that i'm not set on my gil-galad theory but I do lean towards arafinweans

and it's not really because of the symmetry! i imagine gil-galad as the entire oposite of his house. He has dark hair. He's spiteful and angry. He was taught survival, not court pleasantries! And that's what makes the Arafinwean option juicy to me - he's the opposite of what people would consider traditionally third-housish

Though since you asked about Finarfin, I'm going to move onto the next point, because oooo boy do i have opinions

in my humble opinion "safety" was the very least thing motivating Finarfin. Again, from the Silm:

But in that hour Finarfin forsook the march, and turned back, being filled with grief, and with bitterness against the House of Fëanor, because of his kinship with Olwë of Alqualondë; and many of his people went with him, retracing their steps in sorrow, until they beheld once more the far beam of the Mindon upon Túna still shining in the night, and so came at last to Valinor.

Not once is safety mentioned. It always bugs me when people say Finarfin was afraid of the march, or, in this case, wanted to return to the safety of Valinor - because he's clearly hurt and angry at Feanor and his house. I think the Doom was the final point driving him to that decision, where his emotions and heart and moral compass overweighted his wish to be with his family. I doubt safety was ever on his mind at that point, because Valinor wasn't safe either! It was dark and the Noldor were probably outlaws without any remaining diplomatic connection to either Teleri or Vanyar; come on, a few pages earlier the goddamn Ungoliant appeared out of nowhere! I doubt it was much of a safe or stable place at that point, at least not in the minds of Quendi!

Another point that I strongly disagree with is Valinor being for "good golden kids" and ME being for "rebellious baddies". That take is popular within the fandom and it makes me white knuckle the sink every time I come across one. Do I think Amanyar and Beleriandrim have completely different mentalities? Absolutely! Even the Amanyar differ between eachother, what to say about them and the quendi living in Middle-Earth. Do I think it can be divided into "valinor for goodies and beleriand for baddies"? Hell no. That lacks so much of nuance and is often used to give Beleriandrim a sense of superiority which just rubs me wrong. Valinor managed to produce Feänor of all people! Valinor was able to train an army consisted of so-called goodies (the vanyar. a great deal of that army were vanyar. the same vanyar everyone portrays as the most obedient amanyar) that absolutely obliterated morgoth and won a 40 years long war. Can you see why I dislike that take?

Also the post really undersells the Arafinwions as a whole. Aegnor didn't reject his chance for ressurection in favour of waiting for Andreth for people to say that he "reluctantly dumped" her. Finrod didn't break the enchanted chains (in the narrative that is about breaking the chains of narrative) in a last desperate action of resilence for people to say "he obeyed his fate". Galadriel didn't stubbornly drag through the second and third age for people to say "well she returned in the end so it doesn't matter". Angrod didn't become known for his anger issues for people to set him under "goody two shoes" box. FINARFIN DIDN'T WIN AN APOCALYPTIC 40 YEARS LONG WAR FOR PEOPLE TO CALL HIM A COWARD OR THE GUY WHO DOESN'T APPEAR IN THE FIRST AGE

anyways I don't have much opinions on gil galad but i do have a lot of opinions on arafinwions and i will be defending those opinions with teeth and nails

[fluffypotatey]

any tips and tricks for getting into the writing zone?

ok so i have 2 methods and they depend on what i'm writing on: story writing and essay writing (waring: this is a mini-ramble)

with essay writing,

get mad, get super fucking mad, write that shit with spite flowing in your veins. even when i'm writing essays and stories i enjoy, i drag my feet.

i whine and complain like a toddler in my head because despite this topic being one i enjoy, putting my excited tones and rambling into coherent words always tends to feel like i'm butchering that (which is why academic papers should simply let me swear in them and use the 1st pov bc it is sO easy and my thoughts flow a lot better but noooOOOOoooooOOOOOooooo, i have to be formal and proper and-)

also, outlining. fucking godsend with essays. it's why a lot of my longer essays have headings bc i use them to outline and keep my thought on one line of thought bc i have a rambling issue (which is then easily solved with parentheses, my beloved)

with story writing (notice how this is basically a heading? good job! you've found my mini outline for this reply! have a cookie 🍪)

i find that jotting down that scene that is nagging at your brain immediately is super helpful. and do it even if you're now writing out of order. pro-tip: writing out of order is THE best, endorphins be going crazy bc you're actually not fighting with your brain with the story but writing alongside your brain-map.

personally, i find it very difficult outlining a story (how contrary) because sometimes my mind changes ideas or switches the order of scenes, and it is exhausting trying to keep up with all of that in your outline. but i guess, my "outline" with stories is simply me jotting down a very quick summary of the plot that invaded my mind in one document, never touching it again, but staying true to it because i wrote it down. therefore, it exists no longer in the recesses of mind but it a physical statement/promise to complete.

also (this advice goes for both story and essays) it is ok to take a break, step back, and not look at your writing for some hours, days, weeks, months, years--fucking whenever.

my midterm essay? a fucking nightmare. loved the topic, would write something similar about it for fun, but the reason it took me so long to complete (and why i dragged my feet) was because of the "short" timeline i had to complete it. i felt like i was on a time crunch and that led to me procrastinating, stressing over it, and taking my grand old time researching for it. however, when i was able to work on it? i allowed myself to simply do as much as i could. if i was unable to look at that stupid document, i didn't look at it. if my mind had a really good thought or example for the topic rotating in my head? immediate sit down and get that thought onto the paper. it must exist.

i have fics sitting in my folders that have been unfinished in so long, but i still consider them as wips because (and here’s another subpart-advice) i tend to work on them when i am unable to touch my current work. to be frank, working on something else helps keep you in the writing zone even if you cannot stand to look at the blank/unfinished work you wanted to complete originally. when i was incapable of writing for the Monkie Destiny Challenge, i switched to working on writing and editing my teen wolf fic (a fic i had not looked at since July) because while i still had that itch to write, something was blocking me from completing the prompts. and when i switched fics, getting into the zone was a lot easier.

so, to recap:

when jumpstarting the writing zone for writing an essay, you get passionate (can be read as mad/spiteful), and outline your thought process of the essay with headings to keep the writing flow flowing (the headings do not need to stay in the final product but they are good to have in the draft) .

when jumpstarting story writing, write! that! shit! down!!!! chronological order doesn't mean shit when you're in the planning/writing phase. your readers don't have to know that you wrote/planned a character's death before writing/planning out the beginning. they just read it in the order you publish it in!

to keep the writing zone stable and in working condition, TAKE THOSE BREAKS BOO! who cares about your personal deadlines???? if you feel exhausted before opening up a doc, then take that break, babygirl. again, your reader(s) will not need to know (nor do they need to know) how long it took you to get your writing piece done. hell, if you still feel the itch to write but the thing you wanna do is not working, then work on something else you haven't touched in a while because that itch WILL get its scratch somewhere, so help me god.

so yeah, i hope this was helpful, anon (and coherent jfc there better not be a plethora of typos T^T). happy writing, and may your weekend be a healthy dose of eventful!

[jewish-microwave-laser]

Tumblr didn’t nuke you for being trans, they nuked you for being a fucking bad and problematic person. Do better.

omg wait did i get cancelled and not even realize it? can someone link me the callout i wanna see

[tenok]

The point (one of them) is that both Aziraphale and Crowley actually think they the smartest one in any given situation. And since I relate to Aziraphale much more today I get fixated on his brand of superiority. He starts his journey with rebellion from pretty tame "I don't get why they makes this desisions and it's look horrible on surface evel but I'm sure that they get best ineterests of everyone involved in their hearts and it's probably me the one that didn't get some oblivious detail" to "oh okay I'm sure it's some kind of misundestanding and we can all talk it out as adults because we there work on same goals" to frustrated "they won't ever listen to me and I will get in trouble for arguing and it will be better for everyone if I will make my desisions in secret and go behind their backs because I just can't let THEM make desisions that will destroy everything". It's not straightforward, I'm 30 and still circulate sometimes between "what if it's me the one that wrong aout everything" and "god HOW people can be THAT stupid", but I remember going throught this stages first as good and obedient kid with really stupid parents making stupid desisions and later with school, govermnet, activist spaces etc.

And the problem is, I was the smartest person in the room enough time to develop issues, and Aziraphale lives like his for 6000 years at least. I can only imagine how many times he thought "if only Starmaker listen to me and didn't Fall", "if only God listened to me and didn't make an Apocalypse happen", "if only Heavens listened to me and didn't did this or that that thing", "if only Crowley listen to me and understand in what kind of danger we can get", "if only that human listened to me and haven't dig the body", etc etc. It's awful, to be the one who always gets to say "I told you so", especially when there's such awful consequenses you can't even feel satisfaction, and you will be the one to clen this mess up (and Aziraphae will clean, or better try to prevent). Now, it's of course leads to issues. BIG issues.

1) It's really hard to stop being plotting and maciavellian and communicate things properly when you expect that person will at best argue with you, at worst punish you and double down on their stupid desisons and you will clean this mess up. It also really hard to stop trying to control everything because you already accepted that everything is your responsibility and everyone else would just make things worse. (as someone that relates to Aziraphale I think he did so much progress there, the levels or trust he shows Crowley are amazing for two beings that probably last time heard of psychotherapy when Freud was alive. but such trust is fragile thing, one misstep and you back on your "it will be better if I do everything alone" bullshit. I'm not saying it's good. I'm also not saying that it's bad. it's just how things work)

2) It makes you overstep other people authonomy, because, again, it would be better for everyone if they did what you think best for them. It works funny wih Aziraphale because yes he's all for free choices for humanity!! NOW GO AND DO SMART CHOICES DAMN YOU!!! WHY YOU DON'T PICK THE THING THAT WOULD BE SMART TO PICK I HATE YOU ALL. That's where me and Aziraphale difer a little because at least I somewhat good at stepping into other people shoes and understand why they do what they do. But angel there is autistic (or bad at this specific thing for other reasons), so I think when people he consider reasonable doesn't agree with him for their own reasons he ge's really baffled, like, there arE correct opinion and it's mine, WHY are you being difficult?? to spite me?? And I'm sure that half of the reason why Aziraphale's so comfortable with Crowley is that he perfectly happy to let him buly or manipulate him into doing things Aziraphale picks as right. Usually Crowley know where pick his battles and how to play long game to make Aziraphale agree for really important stuff he wants from him, but otherwise? Sure he will complain how he hates Hamlet but they will watch Hamlet, and Aziraphale will be very pleased with himself. (and than there goes final fifteen and we back at "but WHY won't ypu agree with thing I pick or us IT'S GOOD AND RESONABLE THING" and we should be happy that consent is something that imporant for our angel ok? he would be angry with Crowley for picking wrong but he won't make him do what he doesn't want. they respect each other like that.)

3) It makes you really really tired and tense. You control everything, unfortunately the longer you do it the more things starts really depedend on you, you can't let go, you don't know anyone that can share this burden with you because first they should prove that they won't blow his up and for this you should share at least something with them, but what is they would blow it up? Better be safe than sorry. And look when it's my problems it's credit cards and doctor appointmens and with Aziraphale we talk about people dying. Crowley dying. Now, as I said, he actually shows Crowley so. much. trust. for someone with such issues. Because Crowley was there for 6000 years, and he proved himself capable enough times. But still there's areas where let go and not worry would be impossible for Aziraphale, Crowley's safety being one of such things (you see, you can risk with your life when you deal with your problems because whatever you will clean shit up if needed, but if someone close to you hurt themself?? it's YOUR problem too but it will be SO MUCH HARDER to clean. I think when Aziraphale points to Crowley that hell would be harder on him than he can expect heavens to punish him, it's partially because he believes it's true and partially because he knows how to minimize harm when heavens angry with him but HOW can he do this for Crowley??). Anyway. Lol. The more I think about it the more I sure that Crowley without Aziraphale would be a miserable angry dick, and Aziraphale wihout Crowley would be dead, because it was the one person that kept him one tiny slip away from total burn out.

So yeah there's a lot of posts about how angry heartbroken etc Crowley will be with Aziraphale (I don't agree but that's for other post), less posts about how sad and heartbroken will be Aziraphale, but I hope to see Azyraphale being angry too (it they will be angry with each other at all). Not only for not picking him or leaving or making everything messy and emotional and wasting their first kiss at their fight etc, but also because Aziraphale was trusting him! Trusting that he get another resonable adult in team with him! Someone who he can trust to make resonable desisions and see his ideas as clever and him as capable and being willing to go to the end of the world with him with mild complaints and than!! When he did trust him to understand!! He was like everyone else!! Unresonable and emotional and angry with him and why he asked him at all he should've do it secretly and alone as always and it would've be as usual and it wouldn't hurt but it was Crowley that taught him to trust and to ask him for help!! Breaking his perfectly fine coping mechanisms!! It's all his faut if you think about it huh?? (but of course he's already forgiven. but also Aziraphale would do what he needs to do alone this time, as one and only capable adult in the world.)

Anyway it's not a meta it's just some late night thoughts. And it's in no way whole analizis there's so much more problems inside this angel. It's just something in particular that resonated with me today. Also it's not in any way critisizm of him, mind you, because a) he does really the smartest person in the room most of the time and b) I LOVE how fucked up in the head he is!!! I think he needs to become even more fucked up actually!!! and Crowley should love him for that and I will cheer for him from sidelines!!!

[adhd-merlin]

Thanks for the answer. This show is tiresome in its logic and narratives...I don't know why I'm still a fan. I want to yell at them. Please, help me get free.

it's okay anon, it's not that serious. don't think about it too much.

[cloud-the-forgotten]

*looking at your galacta knight and magolor interaction post*

Tell me about your au please. I'm so curious 🥺 /nf /gen

!!!!! /pos

First: context

TLDR: I can't fully explain without spoiling the fic(s) but both big and small changes have been made to the story/timeline! It was originally supposed to be a what-if scenario that became a whole AU. The main changes from canon are focused on Galacta, Meta, Morpho, Kirby, and a few more characters, but the fic I'm working on currently is mainly focusing on Galacta and Morpho (kinda)! There will be small ties to the Animeverse throughout this AU!

Anyway- I can't fully explain it without going into spoiler territory, but I plan on making this a multiple-fic thing! The fic I'm currently working on is mainly focused on Galacta Knight (and Morpho Knight, but mainly Galacta), it's primarily supposed to be a oneshot of Galacta's life before he got sealed, and the things that led to it. The AU technically starts with this fic, most of the games happen to be the same, except for games like Nightmare in Dream Land, Super Star (Ultra) (there are a few minor changes to this game), Return to Dream Land, Triple Deluxe, Planet Robobot, and by extension, Kirby Star Allies, and Forgotten Land! It's also somewhat tied to the Animeverse because [spoilers]

After the first fic, I plan on writing another fic that focuses on Meta Knight! I won't be going into this for spoiler reasons, but this fic is designed to lead to a little before the events of the first game!

After that, most of the changed games will be put into one fic! I'm not exactly sure how I'd do it (multichapter maybe? Or one big oneshot that has obvious time skip spaces between games?) but it'll most likely end a little before the events of Star Allies!

A lot of this AU was built to define the Astral race (Kirby's species) a little more, but the changes to the games were built entirely of what-if scenarios and "I haven't seen a fic for this so I'll make it myself" things that would better fit the AU instead of the actual plot of the games! It's slightly self-indulgent (slightly because wow I planned a lot of angst for this series), and so far there's only one OC planned to show up and (kinda) further the plot of the series, you might have an idea of what their role is if you checked the Galacta Knight and Magolor interaction post!

I've had quite a while to think about this whole thing (I've been working on the first fic since April. Writer's Block and burnout sucks) some things are subject to change since I'm technically still in the early stages of fleshing this whole thing out, but the first fic is almost done and I already have the whole outline for the second fic ready :3

[sparky-is-spiders]

Tell me ur jon/jonah thoughts

I'm afraid that, while I have many Jonjonah thoughts, they're mostly incoherent snippets of ideas floating around in The Brain Soup. There's a couple varieties, mostly of my brain going "But what if..." -insert idea here- and then refusing to elaborate further.

Personally I'm very fond of AUs where Jon is also a regency man with an interest in the supernatural and they have a corruption arc together. I think they should go around London investigating statements and rumors of supernatural happenings. I like the idea that they were the only people doing research for the institute while it was still getting off the ground, and a lot of their correspondence and journals and papers would've been preserved (although most would be inaccessible/unknown to institute employees). Not sure how Jon would be surviving through the centuries though. Equally enchanted by the idea of him bodyhopping the way Jonah did, just being immortal as the Archivist, and hiding under the tunnels as a weird fucked up monster (I very much love monster Jon).

I've also seen a few AUs where Jonah finds Jon hanging out under Alexandria or something and bringing him back to London to be his Archivist (and maybe also help end the world a little bit). Everyone else is baffled and horrified but Jonah is smitten.

I am also weak to time-travel and/or universe-hopping shenanigans, either post s4 where Jon has to reckon with the Jonah he knew vs the (past? present?) version of Jonah. I think the most fleshed out (read: could be described in more than two sentences) idea I have for this would rely on a rewrite of s5 (at least the ending). I saw a couple posts about TMA ending with Jon trying to go through with his plan only for Martin to decide to kill him (rather than Jon volunteering to die in the hopes they'll end up somewhere else). Between those posts, a handful of "post-s5 Jon ends up in Jonah's time" AUs I've seen kicking around (mostly @/Paptato's "A Game of Cat and Mouse" and @/sm0kebreaks' "My Dear Jonah"), and my desire to see Jon succeed with his plan and kill the fears, my brain came up with the idea "what if Jon tried to get Jonah to do an apocalypse so he can kill the fears for good?" (Note: I often struggle to grasp what would and wouldn't be in character for characters that aren't mine, and this AU in particular may come across as somewhat (or very) OOC for Jon). It's mostly predicated on the idea that, having been betrayed by his friends and his partner for their own selfish ends, Jon came to the conclusion that the fears had to be stopped, and he was quite possibly the only person who both could and would, and wiping out humanity through a fearpocalypse would be the best way to destroy them for good. Thus he enlists Jonah's help in his armageddon quest (conveniently leaving out the part where Jonah would not actually live forever). From here the details get sort of fuzzy (is Jonah the archivist now? is it the Sims Institute?). Mostly I like to imagine them alone in the panopticon, watching the fears wither and starve, waiting for the end. Of course, I'm really not sure Jon would ever do... any of that? Maybe if his corruption arc went further, but I'm not sure the Jon we're given would willingly pursue the end of the world, especially after already being used to end it once. Also not convinced that he'd be very good at the subtle manipulation that would be required. However, I am still somewhat enamored by the concept of Jonah meeting stranger who clearly isn't quite human (possibly helping him recover from hopping realities?), enamored and intrigued by this mysterious person who promises eternal safety for Jonah if only he would help them. I think Jon might come to genuinely love and see some of himself in Jonah, but not enough to change anything. Honestly obsessed with relationships where there's this deep, intimate understanding between two characters, who are mostly on their own/disconnected from the other people around them, but there's still this yawning distance between them that they can't ever quite cross, and I think this specific AU could play into that really well.